
Atomos Ninja Inferno
We no longer sell this product and will not be receiving any new stock. Check below for availability of second-hand units.
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New | Discontinued - we can no longer source new stock of this product |
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The Atomos Ninja Inferno is a professional 7.1", 1920 x 1200 on-camera field monitor designed for 4K video cameras, such as the Panasonic GH5. Bypass internal recording limitations and take full advantage of your sensor by recording to the camera's maximum colour accuracy, colour resolution, and dynamic range.
The Atomos Ninja Inferno is a professional 7.1", 1920 x 1200 on-camera field monitor designed for 4K video cameras, such as the Panasonic GH5. Bypass internal recording limitations and take full advantage of your sensor by recording to the camera's maximum colour accuracy, colour resolution, and dynamic range.Key Features: Atomos Ninja Inferno 7.1-inch 1920 x 1200 Field Monitor
- 4K/60p/10 bit: Achieve the most from your camera from day one
- Increased Video Quality: Bypass the internal camera compression to achieve increased colour accuracy
- 1500 Nits Daylight viewable: See your images clearly in any situation, even without a sunhood
- Hollywood Quality: Visually lossless compression in a format that is designed to be edited
- Video Tools: Visualise the dynamic range, protect high / lowlights with the LUMA waveform and Vector scope for monitoring colour hue
- No record time limit: Recording externally to the camera puts an end to recording barriers
- Focus Assist: Focus and Exposure assist tools with 1:1 and 2:1 Zoom for 4K
- 4K to HD Down-convert: Record your clips in 4K and play them out in HD for use on existing equipment such as TVs, monitors and projectors
- 7” SuperATOM IPS Monitor: Class-leading, colour-accurate monitor with over 6 times the average viewing area of a DSLR
- Apply and Preview LUT: Preview and apply 3D LUTs for more creative shooting and simple grades or Film Stock looks

Adventure & Travel Filmmaking – Why Jon Scott Uses the Panasonic Lumix GH5
Key Benefits:
Pipeline to your timeline
Up your game in the field, recording to high resolution ready-to-edit ProRes or DNxHR & confidently monitor or review on the 7" calibrated 1500nit 10-bit HDR screen using the suite of scopes. Finish the shoot and forge ahead in the editing suite - just drop your files directly onto the timeline, use XML tagging from the field and even take a PQ / HLG signal from your Mac or PC to use the Ninja Inferno as a HDR grading reference.
Professional Connectivity
The rugged case with built-in armour houses an arsenal of professional connectivity including full-size HDMI 2.0 for signals up to 4K 60p, a HDMI output for playback or play-out to a view finder or other monitors, a hot-swappable dual battery system for continuous power backed up with DC mains connectivity, auto HDMI start/stop recording trigger from selected Canon, Sony, Panasonic, and Nikon cameras and even conversion of interlace video from your camera to progressive with built-in 3:2 and 2:2 pulldown.
High resolution, High bit rate recording 4K/60p/10-bit Pro-Res & DNxHR)
Recording 4K/60p within the camera might seem enough but recording with the wrong codec restricts flexibility in post-production and even risks having your footage technically rejected. Ninja Inferno records direct from the sensor as full individual frames just like film to 4K/60p Apple Pro-Res or Avid DNxHR with 10-bit colour information and precise yet efficient 4:2:2 colour encoding.
Monitor Log in HDR
Recording Log captures the full dynamic range of the sensor but the washed out nature of Log makes judging exposure difficult. AtomHDR, with 10+ stops of dynamic range and a patented HDR waveform & slider, removes the exposure guesswork with Log by accurately displaying the final HDR result in real time. With a correctly exposed Log recording, you can grade for HDR delivery or as Rec709 with significantly less noise.
High Bright for Outdoor shooting (1500nit bright, daylight viewable monitor)
The 7" 1920 x 1200 monitor not only has the resolution and pixel density to make every shot look amazing, the high bright 1500nit screen at almost 4 times the brightness of conventional field monitors lets you shoot outdoors without reflections washing out your image. This makes it a great choice for gimbals, Steadicam, and director’s monitors, delivering a crisp 4K image without the bulk and viewing angle restrictions of a sun hood.
Playback review with clients and crew
By combining a recorder and monitor, directors and clients can review shots away from the camera complete with playback control, XML tagging for favourite collation, playlist generation and even playout to larger SDR or HDR monitors with support for Rec709, PQ, or HLG.
Choose the SSD to suit your workflow
The Master Caddy system is our secret weapon for recording media flexibility. High capacity and widely available 2.5" SSDs provide an affordable solution for long recording times, G-Technology have a custom Atomos caddy that integrates directly into their EV series of Raid and desktop solutions, and the Angelbird 4KRAW series integrates heat sinks and a release grip into a custom Atomos caddy for high frame rate 4K/60p recording.
Product Specification
audiomonitoring | Yes |
connectivity | HDMI input (2.0a), HDMI output (2.0a) |
dimensions | 214 x 127 x 45mm |
display | 7.1 inch 1920 x 1200 |
lutsupport | 3D LUT |
powerconsumption | 10 - 24W |
poweroptions | NP series and supporting accessories |
recordingformatsandframerates | 4:3, 16:9, 2.40,2.35,1.9, 1.85, Cross hair, action/title safe areas |
storagemedia | 2.5inch SSD |
timecode | Embedded Timecode from Camera or video device |
weight | 709 |